‘The Mastermind’ review: Josh O’Connor shines in Kelly Reichardt’s newest film

In the film The Mastermind, Josh O’Connor’s character contemplates a daring art heist, drawing inspiration from real events at the Worcester Art Museum in the ’70s. However, the movie delves deeper into the motivations behind such a decision, following a family man on the run amidst social and political turmoil in America. Directed by Kelly Reichardt, the film combines elements of the art heist genre with a charmingly realistic and comedic approach, enhanced by a captivating performance from O’Connor.

The Mastermind Unveils a Cozy Crime

The film unfolds in two acts, with the first focusing on the humorous art heist orchestrated by a trio of regular guys, led by JB (O’Connor). The second act takes viewers on a road trip through American towns, intertwined with the lingering effects of the Vietnam War. Reichardt’s minimalist approach to the heist contrasts sharply with flashy heist films, emphasizing the simplicity of the plan and the characters involved.

Josh O’Connor’s Masterful Deadpan Comedy

O’Connor’s portrayal of JB exudes a mix of confidence and naivety, leading to a blend of comedic and tense moments as the heist unfolds. His deadpan delivery and physical comedy reminiscent of Buster Keaton add depth to the character, highlighting O’Connor’s versatile acting skills. While the film primarily focuses on JB’s journey, it falls short in fully developing the character of Terri, JB’s wife, played by Alana Haim. Despite limited dialogue, Haim brings nuance to her role, hinting at unspoken emotions beneath the surface.

The character in the film “The Mastermind” that truly stands out is JB’s old friend Fred, played by John Magaro, who brings levity and warmth to the film when needed. Fred’s partner Maude, played by Gaby Hoffmann, adds a contrasting disdain to the dynamic. The relationship between these characters is left open for interpretation, inviting the audience to fill in the gaps themselves, which adds to the magic of the film.

Kelly Reichardt, the director, avoids neatly tying up the film, allowing relationships to develop organically through dialogue without overexplaining. The backdrop of the Vietnam War is ever-present, with anti-war protests and political turbulence shaping the characters’ interactions. Reichardt skillfully weaves historical context into the comedy and heist elements of the film, creating a unique and engaging narrative.

Josh O’Connor’s performance adds to the film’s subtlety and deadpan humor, moving away from traditional heist movie archetypes. “The Mastermind” is a blend of comedy, historical context, and realism that sets it apart as a compelling and memorable film.

“The Mastermind” will be released in U.S. cinemas on Oct. 17 and in the UK and Ireland on Oct. 24, following screenings at the New York Film Festival and BFI London Film Festival.