“Review of ‘The Ugly’: Director of ‘Train to Busan’ presents a compelling murder mystery”
South Korean filmmaker Yeon Sang-ho gained global recognition in 2016 with the release of the unique zombie horror film “Train to Busan.” Expanding on his zombie-infested franchise, Yeon followed up with the animated prequel “Seoul Station” and the action-packed movie “Peninsula.” In his latest work, “The Ugly,” Yeon shifts away from monsters to create a chilling thriller centered around a father and child dynamic. Unlike the heartwarming narrative of “Train to Busan,” “The Ugly” explores the relationship between a single, hardworking father and his grown son, delving into darker themes.
### What is “The Ugly” about?
Based on Yeon’s debut graphic novel “Face,” the story follows Dong-hwan, a Korean man in his forties who works alongside his blind father, Yeong-gyu, a celebrated engraver. When authorities discover a pile of bones on a mountainside, believed to be Dong-hwan’s long-lost mother, Young-hee, the protagonist embarks on a journey to uncover the truth about her past and her perceived ugliness.
### Examining the concept of “ugly” in “The Ugly”
Through interviews with estranged family members and former acquaintances, Dong-hwan learns disturbing details about his mother’s life, where she was often labeled as “ugly.” Despite the negative portrayals, Dong-hwan begins to perceive his mother in a new light, recognizing her honesty and strength in the face of adversity. Yeon strategically withholds key details, keeping viewers engaged as Dong-hwan navigates his quest for closure and understanding.
Yeon Sang-ho skillfully weaves a twisted crime narrative in “The Ugly,” as Dong-hwan unravels the mystery behind his mother’s death. While the answers may not be entirely unexpected, the storytelling remains compelling and impactful as the protagonist delves deeper into the dark secrets of his family’s past.
Exploring Family Dynamics
Beyond that, however, in seeking her, he comes to better understand his father too. Through old stories unearthed, he sees how his father and mother responded differently to challenges. And so, now more than ever before, Dong-hwan is left to wonder who he resembles. It’s a point brought up by the TV producer Su-jin, who says early on that Dong-hwan looks like his dad. But “resembles” takes on a deeper meaning as he learns ugly truths. In what ways is he like his dad and like his mom? This question becomes the one that will stick with you.
The Thrilling Conclusion
In the end, The Ugly is a stirring thriller, bolstered by dark twists, and paid off with a final scene that plays like a monkey’s paw curling. What if what you want is ultimately what you get? Can you handle it?
The Ugly is now playing in theaters
